In a dystopian metropolis fuelled by fevered connectivity, a race of rodents beneath the decaying streets hack the sales messages of a Kardashian-type Demigod, more cyborg than human, a successor to Fritz Lang’s Maria, a Maschinenmensch to rule over the digimash-fed masses. Part Baroque heaven, part post-apocalyptic nightmare, the grotesque, cartoonish figures are seen to share in and compete for attention within a forever connected, corrupt, caffeine marinaded environment where power dynamics are repeatedly inverted and reconfigured.

Commissioned HOME, University of Salford Art Collection, Tate, Zabludowicz Collection, Frieze Film and Channel 4.